Any first feature that manages to land directly in the competition in Cannes has done something right, and the rookie writer-director here takes a well-known cinematic subject, the Nazi concentration camps, but distils his narrative to the story of just one man: the titular Saul. ![]() The hell and horrors of the Nazi death camps have rarely been so vividly suggested - and I do mean suggested, not necessarily depicted - as in Son of Saul( Saul Fia), the imposing debut of Hungarian newcomer Laszlo Nemes.
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